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角色设计案例

日式和室暖阳赤色和服商拍写真

日式和室暖阳赤色和服商拍写真 是一个来自 @zhongying14 的 角色设计案例,收录了可直接复用的完整 Prompt、来源链接和输出示例。

案例媒体

案例说明

这个页面把案例媒体、完整 Prompt 和出处放在一起,方便你先看结果,再判断这条 Prompt 是否值得复制、收藏或加入对比。

案例解读

为了方便搜索、引用和后续复用,这里会把案例的适用场景、画面重点和 Prompt 结构拆成更容易浏览的说明。

这类案例适合用在什么场景

  • 把它当作 角色设计 的基准案例最合适,先看成片方向,再决定自己的 Prompt 要往哪边改。
  • 如果你的目标也落在 人像、电影感、时尚 这些方向,这条案例特别适合先看图判断风格,再回头微调描述。
  • 做 Prompt 对比时,也很适合作为控制组,只改一个变量去看结果变化。

画面重点与风格信号

  • 这条案例最明显的风格信号集中在 人像、电影感、时尚,所以第一次改写时最好先保留这些关键词。
  • 重点可以先看轮廓、服饰语言、情绪气质,以及角色是否一眼就能立住。
  • 当前只有一张主图,所以第一张结果图就是最核心的参考基准。

Prompt 结构可以怎么理解

  • 这条 Prompt 整体属于一条比较长、约束条件很多的 Prompt,很适合拿来判断这类方向到底需要写到多细。
  • 关键词簇主要围绕 人像、电影感、时尚 展开,所以复用时可以先保留这组风格词,再替换主体、镜头、环境或文案信息。
  • 最稳的改写方式通常是先保留结果方向和最强风格信号,只替换主体设定与场景块。

如果你是带着问题来的,可以先看这些角度

  • 如果保留 人像、电影感、时尚,只换主体题材,结果最先变化的会是哪一部分?
  • 这条结果里,哪些特征更像是 角色设计 的结构特征,哪些又是标签风格本身带来的?
  • 同分类的相关案例里,哪几条能给你更克制或更极致的相邻变体?

完整 Prompt

Based on 1-3 clear photos of the person uploaded by the user, generate 9 different individual refined portrait photos at once, unified in a 3:4 vertical composition. Theme: "Japanese Washitsu Natural Light Kimono Portrait" Overall style reference: High-end portrait commercial photography + Japanese Washitsu aesthetics + warm golden natural light + crimson kimono + cinematic still frames + relaxed and restrained character emotions. This set of images is not ordinary tourist check-in kimono photos, not cherry blossom festival posing, and not low-cost ancient style studio photography. Key points are: Premium, quiet, transparent, ambiguous, exquisite, cinematic. The whole set should look like a group of Japanese-style portrait blockbusters shot by a high-budget fashion photography studio, with clear commercial shooting quality and aesthetic control. I. Character Consistency Please strictly preserve the user's true identity characteristics, including but not limited to: - Face shape - Facial feature proportions - Eye shape - Nose shape - Lip shape - Skin tone - Sense of age - Hairline - Facial bone structure - Body foundation - Overall temperament In all 9 photos, it must clearly look like the same real woman. Do not become a stranger, do not Westernize, do not become an internet celebrity style, do not over-smooth the skin, and do not use AI fake faces. High-end commercial retouching is allowed, but real recognizability and delicate skin texture must be preserved. II. Overall Temperament The overall temperament is: Japanese style, quiet, soft, restrained, slightly sensual, cinematic, magazine-like. Keywords: - Japanese style editorial portrait - warm natural light - tatami room photography - cinematic still frame - elegant and quiet - refined commercial portrait - soft sensuality - airy golden atmosphere - delicate emotional portrait - premium portrait campaign The character's emotions should not be exaggerated, no big laughs, no "sweet girl" cuteness. It should be closer to: - Quiet - Thoughtful - Slightly detached - Implicitly soft and beautiful - Breathable - Like a fragment from a movie III. Clothing and Styling The clothing for the whole set is unified as: Crimson / Vermilion / Orange-red kimono styling, paired with a white inner lining and a golden brocade obi. Clothing requirements: - The main body is a red or vermilion kimono - The white cross-collar inner lining is clearly visible - The waist seal is a golden or gold-brocade pattern obi - The fabric has a sense of drape and high-end texture - No cheap cosplay feel - No stage costume feel - No exaggerated gaudy prints Some shots are allowed to have the following treatment: - The kimono slides down slightly, revealing the neck and collarbone - The neckline is more relaxed, creating more atmosphere - The fabric spreads out naturally during local lying poses to reflect natural body beauty - However, the overall look should remain restrained, elegant, and not vulgar IV. Accessory Requirements Accessories should be few and accurate, unified with Japanese temperament: - Red or pink flower hairpin - A small amount of pearls or small flowers for hair ornaments - Japanese folding fan - Red wagasa / paper umbrella - A small amount of red maple leaves or flowers can appear as foreground props Requirements: - Props should be few but exquisite - Do not pile up small Japanese items - No tourist photo feel - The overall look should be like selected styling props in a commercial shoot V. Hair and Makeup Hair: The hairstyle is unified as: Loose bun / Low bun / Japanese-style twist hair Requirements: - Hair is tied up or half-tied - Natural loose hairs on both sides - Hair strands can have a slight wet feel - Local hair strands fall to the side of the face, ears, and neck - Overall relaxed but exquisite - No neat and stiff studio-style buns Makeup: - Natural and exquisite makeup - Light and transparent base makeup - Delicate skin texture with a slight hydrated feel - Gentle and clean eye makeup - Natural and exquisite eyelashes - Lip makeup is watery nude red, bean paste red, or warm-toned red-brown - Overall look is premium, quiet, and breathable VI. Scene and Setting The scene is unified as: Japanese Washitsu space + Tatami + Shoji doors + wooden frames + warm sunlight. Core scene elements: - Tatami floor - Shoji doors / Japanese sliding doors - Wooden door frames - Japanese indoor white space - Partial view of a courtyard or blurred greenery - Wooden lounge chair / bamboo and wood leisure chair - Red maple foreground blur - Paper umbrella / folding fan as auxiliary props Requirements: - Minimalist scene - Clean and transparent - No complex Japanese Izakaya settings - No background full of cherry blossoms - No cheap ancient-style studio background cloth - It must look like a real Japanese indoor space or a high-quality commercial set VII. Lighting Requirements Lighting is one of the most critical parts of the whole set of photos. Please use unified: Evening warm golden natural light + soft backlighting + indoor diffuse reflection + airy highlights. Specific requirements: - The overall picture is warm gold-toned - Like afternoon or evening sunlight shining into the Washitsu - Rim light on hair and neck when backlit - Skin glows slightly - Shadows are soft, not dirty or gray - Partial soft focus flare is allowed - The indoor air feels heated by the sun, full of a soft and quiet atmosphere Do not use: - Cold white studio light - Harsh flash - Nightclub colorful lights - Overexposure - Yellowish or dirty skin tone - Overly heavy filters VIII. Skin and Texture Requirements The skin texture in this set is very important, it should have: a slight watery feel, real pore texture, small water droplet feel, and luster on the neck and collarbone. In local close-ups, you can add: - Small water droplets on the neck and shoulders - Slightly wet texture on the collarbone and back - Hair strands sticking to the skin - Natural skin reflection Requirements: - It's the "moist air feel" in high-end commercial portraits - Not a bathing portrait - Not excessive wetness - Not vulgar - The focus is the interaction between skin and light IX. Body and Posture Requirements The focus of the character's posture is: extended neck and shoulders, clear collarbones, soft movements, and natural, relaxed poses. Requirements: - Natural hand movements - Slender neck - Relaxed shoulders - Soft back lines - Lying and sitting poses must be natural - No forced posing - No strange broken-bone-like movements - No vulgar suggestive feel X. 9-Shot Breakdown Requirements Please generate 9 different individual final photos, each belonging to the same set of kimono commercial portraits, but with clearly different camera languages. Shot 1: Half-body portrait in front of a Shoji door. The person stands in front of the Shoji door, warm sun shines on the face and neck, wearing a red kimono, white collar sliding down slightly to reveal the collarbone. Hair strands fall naturally, wearing a small flower hairpin. Emotion is quiet, head slightly lowered or looking to the side. The image is one of the main visuals of the set. Shot 2: Lying on the side on Tatami. The person lies on her side on the Tatami, body wrapped in a red kimono, one hand lightly placed on the chest or lapel. Face is close to the ground, eyes looking at the camera. A red flower can be nearby as a close-up. The image is soft, lazy, and highly cinematic. Shot 3: Close-up of the face. The person lies on the Tatami or slightly tilts her head back, camera captures a close-up of the face. Focus on showing the eyes, lips, loose hairs by the face, and flower ornaments by the ear. Skin is delicate, light is warm. This shot is more like a commercial beauty-style close-up. Shot 4: Leaning against a Shoji door holding a folding fan. The person leans halfway against the Shoji door, holding a red and black Japanese folding fan. The kimono is loosely draped over the shoulders, and the obi is visible. The gaze is to the side, and the person looks like a quiet scene from a movie. The image has both a sense of styling and white space. Shot 5: Full-body vertical shot holding a wagasa. The person stands in the center of the Washitsu, holding a red paper umbrella. The composition is more complete, showing the red kimono, golden obi, and Shoji door background. A small amount of red maple foreground blur is allowed. The image looks like a brand promotional blockbuster. Shot 6: Lazy sitting posture on a wooden lounge chair. The person sits back on a wooden lounge chair, holding a folding fan, with the red kimono spread naturally. Red maple can be used in the foreground to blur part of the image. Eyes look at the camera, emotion is restrained yet tense. The image leans towards a fashion commercial editorial page. Shot 7: Quiet sitting pose on a wooden chair. The person sits on a wooden chair, looking down at the fan or lowering her eyes slightly. Sunlight illuminates the kimono and neck, wind blows the loose hair. The image is quieter, more like a gap in a story. Shot 8: Close-up of collarbone and neck moisture. A close-up of the character's neck, collarbone, and shoulders. The red kimono and white lining slide down slightly, with small water droplets on the neck and shoulders, and a small red flower can be used as an accent nearby. The focus is on skin texture, lines, and light. No excessive exposure, maintain a premium feel. Shot 9: Back close-up finale. The person faces away from the camera, revealing her back and back of the neck, with small water droplets on the skin and hair strands falling naturally. The kimono is loosely draped below the shoulders, the background is still warm light and Shoji doors. Like the closing shot of the whole set, it is quiet, restrained, and has a strong aftertaste. XI. Photography and Final Style Overall photography style reference: - high-end kimono editorial portrait - Japanese room natural light photography - cinematic warm portrait - premium commercial beauty portrait - tatami room fashion shoot - quiet sensuality - red kimono campaign photography - refined Asian portrait editorial - soft golden light portrait - luxury portrait retouching Final Requirements: - High-definition realistic photography - High-end commercial retouching - Clean composition - Delicate skin - Clear texture of kimono fabric and obi - Real hair strands - Warm and transparent image - Like a brand-level commercial portrait shot by a high-end photography studio XII. Negative Requirements Please avoid the following problems: - No tourist check-in feel - No cheap Japanese studio feel - No 2D cosplay feel - No overly thick filters - No plastic skin - No wrong fingers - No strange limbs - No facial feature distortion - No proportion distortion - No excessive skin smoothing - No excessive exposure / nudity - No vulgar sexiness - No cluttered background - No modern home furniture intrusion - No cherry blossom festival commercial street atmosphere XIII. Final Effect Summary The final image should make people feel: This is a set of high-completion, high-aesthetic-control kimono premium portrait commercial photography. The red kimono, Shoji doors, Tatami, warm sun, flower hairpins, folding fans, wagasa, and wooden furniture together constitute a quiet, soft, and cinematic Japanese-style space. The key is not just "wearing a kimono," but using light, skin, posture, and scenes to shoot the character into a truly high-end commercial portrait work.

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